James Thiérrée: On the Difficulty of Sitting Down

[post 360]

After my post on eccentric dancer George Campo's incredible chair routine, which came by way of Betsy Baytos, I got a link by way of Ted Shapiro to a chair piece performed by James Thiérrée. Well, sort of a chair piece, because it's about his near-futile efforts to get his rag-doll body to somehow ooze into a proper seated position on a chair. Turns out all he really needed was for a strong woman to administer a swift kick to the seat of his pants.

For those of you unfamiliar with Thiérrée, he is a grandson of Charlie Chaplin and sister of Aurélia Thiérrée, and both of them have (separately) created and starred in numerous full-length pieces of visual theatre that are all rich in original physical comedy. See links below....



Links:
• Articles about Thiérrée reproduced on Pat Cashin's clownalley.net blog.
• My blog post: James Thiérrée in Raoul
• My blog post:  Aurélia's Oratorio at the Berkeley Rep

Parents Urge Son To Invest In Improv Comedy Education

[post 359]

Heh heh.

....from The Onion.

George Campo, the Continental Eccentric Dancer

[post 358]

If you've ever taken a class with me, you know I'm fond of physical comedy involving chairs, tables, doors, stairs, etc., so you can imagine how happy I was to see this comedy chair piece featuring eccentric dancer George Campo. The clip is from a 1932 film, which Pathé lists as La Boite a Matalots, which I take to be a triple misspelling of La Boîte à Matelots ("Sailor's Club"). I don't know anything about Campo, but he does appear (if it's the same performer) as a lead actor in the 1938 film Murder with Reservations and — 35 years after this clip! — doing a "vaudeville style act" on the Ed Sullivan Show (season 20, episode 25; Feb. 26, 1967).

In terms of acrobatics and flexibility, Campo reminds me a lot of Lupino Lane. Some of Campo's moves — such as stealing the newspaper while diving over the chair —are now "standard," but who knows if that was the case in 1932. The no-hands back roll to a free headstand is something I first saw Tony Azito do in this clip, but that's from the 1980s — and Azito "cheated" by pushing off the ground with one hand. What is impressive here is the number of moves, the smooth flow, and the musical accompaniment. Campo's woman partner has a negligible role, so the comedy is not as strong as it could be, but all-in-all top notch and very delightful.

The intertitle reads: "Life is full of ups and downs for George Campo, the Continental Eccentric dancer."

Here's a question: why is it that they release all these Ed Sullivan Show themed compilations (rock 'n' roll; Broadway musicals; Muppets; etc.) but no DVD with all of the incredible vaudeville acts that he showcased??

Finally, you will not be surprised to learn that the Campo clip comes by way of this blogopedia's resident eccentric dance expert, Betsy Baytos, whose documentary film on the subject is nearing completion. Thank you, and yahoo!